To see the intro page for “Best Director” Madness, click here. To see the Round of 64, click here. To see the Round of 32, click here. To see the Sweet 16 and Elite 8, click here. Sixty-eight directors walked in. Four directors are still standing. One will walk out as the champion of “Best… Read More “Best Director” Madness 2023: Final 4 and Championship Game
To see the intro page for “Best Director” Madness, click here. To see the Round of 64, click here. To see the Round of 32, click here. We’ve lost one of our 1-seeds, and in the Sweet 16 we’ll lose another. Each round of the bracket will use a quote from a Roger Ebert review… Read More “Best Director” Madness 2023: Sweet 16 and Elite 8
To see the intro page for “Best Director” Madness, click here. To see the Round of 64, click here. After one round, all the 1- and 2-seeds are safe, and so are all the 5s. A little chalky, but the criteria was maybe a little murkier than some of the others will be. Each round… Read More “Best Director” Madness 2023: Round of 32
To see the intro page for “Best Director” Madness, click here. Each round of the bracket will use a quote from a Roger Ebert review of a Best Director-winning or -nominated film as its criteria for which director moves on to the next. Using one of those online wheels of choosing things, I wound up… Read More “Best Director” Madness 2023: Round of 64
They do brackets for everything at this time of year. For those of us who live the Way of the Bracket, this deluge of bracketology is reminiscent of April Fools’ Day for those of who live the Way of Lying Indiscriminately. It’s nice to see people trying because it’s precious. Because the Oscars happened a… Read More “Best Director” Madness 2023: Introduction and Bracket Reveal
This one’s real late! A surprisingly busy schedule at work, the Oscars, and March Madness have all contributed. But it’s still really late! March 7th At least it was a good day for rewatches historically? Maybe Last Temptation, The Fugitive, and Badlands don’t make for the neatest triple feature in the world, but there are… Read More Movie Diary 2023 (3/7-3/16): Gamified Horror
After Nomadland won Best Picture, I argued that a cinematic pose which I call “boutique indie” was a natural conclusion to recent approach to Best Picture nominees and winners. The short version is that as studios become more ruthless with their money, they want to provide the thrill of high stakes without having to pay… Read More Everything Everywhere All at Once and the Boutique Indie Posture
(To see the results of last year’s Grouches, go here. For the year before, go here. To see the first Grouches, which also carries a significantly more complete version of my criteria, go here.) Last year, we at the Grouches decided that we were going to go whole hog into being Oscars counterprogramming and for… Read More 4th Annual Grouches: 2022 Movie Year Awards
March 2nd “Truly,” Sherif Ali says to Lawrence, “for some men nothing is written unless they write it.” It’s one of the most profound, haunting, and countermanded lines in cinematic history, and in a film which does not include any female characters, it’s noteworthy that the line refers only to “men.” Ala Kachuu adds “and… Read More Movie Diary 2023 (3/2-3/6): Benediction
February 20th One of the first pieces that Woodward and Bernstein try to get through in All the President’s Men is, on the whole, kind of thin. When Bradlee actually reads it, he tells them, “You haven’t got it,” says, “Not good enough.” The sell, delivered by Jack Warden’s Rosenfeld, initially described the piece to… Read More Movie Diary 2023 (2/20-3/1): A Rush of 2020s to the Head
Seeing Things Secondhand 