This one’s real late! A surprisingly busy schedule at work, the Oscars, and March Madness have all contributed. But it’s still really late! March 7th At least it was a good day for rewatches historically? Maybe Last Temptation, The Fugitive, and Badlands don’t make for the neatest triple feature in the world, but there are… Read More Movie Diary 2023 (3/7-3/16): Gamified Horror
March 2nd “Truly,” Sherif Ali says to Lawrence, “for some men nothing is written unless they write it.” It’s one of the most profound, haunting, and countermanded lines in cinematic history, and in a film which does not include any female characters, it’s noteworthy that the line refers only to “men.” Ala Kachuu adds “and… Read More Movie Diary 2023 (3/2-3/6): Benediction
This year, I watched more new-to-me movies than I’d ever watched before in a single year. I don’t have all that much in common with Pauline Kael, but as she boasted that she never saw a movie twice, I much prefer to learn a new movie rather than experience a movie I’ve seen before. I… Read More 2022 Year-End Review: What I Learned
You can find the introduction and index for this series here. Film Director Year Type It’s Always Fair Weather Stanley Donen and Gene Kelly 1955 Narrative feature The Man in the Gray Flannel Suit Nunnally Johnson 1956 Narrative feature Peyton Place Mark Robson 1957 Narrative feature Last Train from Gun Hill John Sturges 1959 Narrative feature… Read More 100 American Films to Save: Dismay (1955-1965)
Steven Hyden introduced his five-albums test more than a decade ago as a third way to judge a band, short of its popularity or its critical acclaim. While this one is not meant to stand on its own—for example, he’s not sure that either Bob Dylan nor the Rolling Stones had made five great albums… Read More The Five-Movies Test or: Which Director Has Had the Best Stretch of Consecutive Feature-Length Films in English?
The following is from my series of Oscar Best Picture rankings, as well as my strongly worded suggestions for what should have won from among the nominees. For an introduction to the project, click here. For a way to vote on some Oscar-related ideas, click here. If I’ve written a review on any of the… Read More Better than the Oscars: 25-21
The following is from my series of Oscar Best Picture rankings, as well as my strongly worded suggestions for what should have won from among the nominees. For an introduction to the project, click here. For a way to vote on some Oscar-related ideas, click here. If I’ve written a review on any of the… Read More Better than the Oscars: 70-66
Dir. Joseph L. Mankiewicz. Starring Ann Sothern, Linda Darnell, Jeanne Crain Dir. Vincente Minnelli. Starring Kirk Douglas, Lana Turner, Walter Pidgeon In the wake of film noir, which used voiceovers and flashbacks to greater effect than ever before, A Letter to Three Wives and The Bad and the Beautiful are logical conclusions outside the genre. A Letter to Three… Read More A Letter to Three Wives (1949) and The Bad and the Beautiful (1952)
Dir. Vincente Minnelli. Starring Louis Jourdan, Leslie Caron, Hermione Gingold Dir. Gus Van Sant. Starring River Phoenix, Keanu Reeves, William Richert “Thank heaven for little girls,” Honoré (Maurice Chevalier) sings, and it’s as apt an opening for the film as there could be; there can be no question of why they are thanking heaven. The men… Read More Gigi (1958) and My Own Private Idaho (1991)
Dir. Vincente Minnelli. Starring Gene Kelly, Leslie Caron, Oscar Levant It’s impossible to talk about An American in Paris without referencing La La Land now, and I promise that I will contain all of my vexation to this paragraph. In La La Land, the most memorable piece of the movie is Gosling and Stone’s dance at sunrise, which takes place against… Read More An American in Paris (1951)
Seeing Things Secondhand 