You can find the introduction and index for this series here. Film Director Year Type Dawn of the Dead George A. Romero 1978 Narrative feature Real Life Albert Brooks 1979 Narrative feature The Warriors Walter Hill 1979 Narrative feature Popeye Robert Altman 1980 Narrative feature The Fog John Carpenter 1980 Narrative feature Melvin and Howard Jonathan… Read More 100 American Movies to Save: Sneers (1978-1984)
For each movie in the top 100, I’ve written a question to answer. (It would get very, very boring for me to have to write some variation on “boy howdy, you’ll never believe how good this movie is” one hundred more times.) There’s no exact sentence or word count I’m holding myself to here, but… Read More Top 250 American Movies: 1-10
For each movie in the top 100, I’ve written a question to answer. (It would get very, very boring for me to have to write some variation on “boy howdy, you’ll never believe how good this movie is” one hundred more times.) There’s no exact sentence or word count I’m holding myself to here, but… Read More Top 250 American Movies: 31-40
The Sight and Sound poll invites more than a thousand real critics (i.e., not me) to submit their top ten films to be compiled as part of their decennial results. There will be a new Sight and Sound poll this year, which I’ve been indecently excited about for the past three or four years now,… Read More My Sight and Sound 2022 Ballot (It’s Not Real, I’m Just Jealous and Want to Participate)
Steven Hyden introduced his five-albums test more than a decade ago as a third way to judge a band, short of its popularity or its critical acclaim. While this one is not meant to stand on its own—for example, he’s not sure that either Bob Dylan nor the Rolling Stones had made five great albums… Read More The Five-Movies Test or: Which Director Has Had the Best Stretch of Consecutive Feature-Length Films in English?
Dir. Robert Altman. Starring Donald Sutherland, Elliott Gould, Sally Kellerman One could sit around with a couple cocktails and some jazz in the background and have a very pleasant debate about which genre the swell matters more in. Does the swell matter more in drama, where a series of events pile on top of one… Read More M*A*S*H (1970)
One of the Grantland legacies I’m fond of, although I’m sure the idea didn’t start there, is the championship belt (RIP Grantland, long live Barnwell and Hyden). The purpose is to go year by year and create a list of who’s at the top of some field, which is a deceptively simple task, and one… Read More Anglophone Director Championship Belt, 1918-2018
Dir. Ron Mann There’s nothing remotely Altmanesque about Altman, which, given the practically fetishistic load the movie hangs on the word, seems disappointing. (One wants to like the presence of past Altman collaborators giving definitions to the word, as I know I did when Michael Murphy went first. It was when I realized Michael Murphy wasn’t… Read More Altman (2014)
The following is from my series of Oscar Best Picture rankings, as well as my strongly worded suggestions for what should have won from among the nominees. For an introduction to the project, click here. For a way to vote on some Oscar-related ideas, click here. If I’ve written a review on any of the… Read More Better than the Oscars: 35-31
The following is part of an overview of the top 100 American narrative fiction feature films, from my perspective. For an introduction to the project and an index of other entries in the series, click here. For a list of more than 800 films which I considered for the top 450 and my eligibility qualifications, click here.… Read More Better than AFI’s Top 100: 1
Seeing Things Secondhand 