Movie Diary 2023 (4/6-5/31): Let’s Just Get Through May to Start
Two sentences per movie. The last time I did a retro movie diary, I had three weeks to catch up on. Now I have…more than that. No sweat!
Two sentences per movie. The last time I did a retro movie diary, I had three weeks to catch up on. Now I have…more than that. No sweat!
Steven Hyden introduced his five-albums test more than a decade ago as a third way to judge a band, short of its popularity or its critical acclaim. While this one is not meant to stand on its own—for example, he’s not sure that either Bob Dylan nor the Rolling Stones had made five great albums… Read More The Five-Movies Test or: Which Director Has Had the Best Stretch of Consecutive Feature-Length Films in English?
For a brief introduction and a running list of movies covered in this project, click here 10) Don’t Look Now (1973), directed by Nicolas Roeg As a mystery in English, I’m not sure there’s another picture that compares to Don’t Look Now until Mulholland Drive, and even then those two movies take such different approaches to solving mysteries that… Read More Better than BFI’s Top 100: 10-8
For a brief introduction and a running list of movies covered in this project, click here 15) Mr. Turner (2014), directed by Mike Leigh J.M.W. Turner was famous for his seascapes. There’s nary a person to be found there; there are the clouds, the sun, the ships, of course the water. But people are of less interest,… Read More Better than BFI’s Top 100: 15-11
For a brief introduction and a running list of movies covered in this project, click here 25) Black Narcissus (1947), directed by Michael Powell and Emeric Pressburger Leonardo DiCaprio (Howard), Cate Blanchett (Kate), Jude Law (Errol), and Adam Scott (Johnny) are all sitting at a table together. Two of them are a little teed off about… Read More Better than BFI’s Top 100: 25-21
For a brief introduction and a running list of movies covered in this project, click here And we’re back! Halfway through, let’s keep rolling. 50) Howards End (1992), directed by James Ivory As sumptuous as the sets of Howards End are, and as lovely the costumes, all of it enhanced by some seriously underrated photography by Tony Pierce-Roberts, this… Read More Better than BFI’s Top 100: 50-46
For a brief introduction and a running list of movies covered in this project, click here. 85) 49th Parallel (1941), directed by Michael Powell and Emeric Pressburger One way to avoid the trouble of making an action-adventure movie that’s just loosely tied setpieces is to lean fully into the naturally episodic tendencies of the… Read More Better than BFI’s Top 100: 85-81
One of the Grantland legacies I’m fond of, although I’m sure the idea didn’t start there, is the championship belt (RIP Grantland, long live Barnwell and Hyden). The purpose is to go year by year and create a list of who’s at the top of some field, which is a deceptively simple task, and one… Read More Anglophone Director Championship Belt, 1918-2018
I’m joining in the spirit of the year-in-review post, even though the way I watch movies isn’t really conducive to the kind of list that one usually sees at the end of the year. (Incidentally, if you happen to be a recent music aficionado, friend of the blog Matt will have his year-end list of… Read More 2018 Year-End Review: Fifty Movies
The following is from my series of Oscar Best Picture rankings, as well as my strongly worded suggestions for what should have won from among the nominees. For an introduction to the project, click here. For a way to vote on some Oscar-related ideas, click here. If I’ve written a review on any of the… Read More Better than the Oscars: 50-46