Movie Diary 2023 (4/6-5/31): Let’s Just Get Through May to Start
Two sentences per movie. The last time I did a retro movie diary, I had three weeks to catch up on. Now I have…more than that. No sweat!
Tag: Michael Curtiz
2023 Movie Diary (1/16-1/20): Heaven and Hell
January 16th Jonathan Kaufer was a precocious guy in his mid-twenties when he wrote and directed Soup for One, and boy does this movie really feel like it’s the brainchild of a guy in his mid-twenties who saw Annie Hall a bunch when it came out. I don’t know that Soup for One has the… Read More 2023 Movie Diary (1/16-1/20): Heaven and Hell
Top 250 American Movies: 11-20
For each movie in the top 100, I’ve written a question to answer. (It would get very, very boring for me to have to write some variation on “boy howdy, you’ll never believe how good this movie is” one hundred more times.) There’s no exact sentence or word count I’m holding myself to here, but… Read More Top 250 American Movies: 11-20
The Five-Movies Test or: Which Director Has Had the Best Stretch of Consecutive Feature-Length Films in English?
Steven Hyden introduced his five-albums test more than a decade ago as a third way to judge a band, short of its popularity or its critical acclaim. While this one is not meant to stand on its own—for example, he’s not sure that either Bob Dylan nor the Rolling Stones had made five great albums… Read More The Five-Movies Test or: Which Director Has Had the Best Stretch of Consecutive Feature-Length Films in English?
“We Can Begin to Live Again” – Portraits of Adjustment in Post-World War II American Cinema
Main Street on the March!, a short movie by Edward Cahn, is a forerunner for what has become, beyond the postwar years, a significant mode in World War II filmmaking. Cahn’s picture depicts an American public which is blissfully unaware that war will come to their territorial borders, and that they will send out so… Read More “We Can Begin to Live Again” – Portraits of Adjustment in Post-World War II American Cinema
Casablanca (1943)
Dir. Michael Curtiz. Starring Humphrey Bogart, Ingrid Bergman, Claude Rains Sometimes, when I feel just aggressively masochistic, I try to narrow down the best scene I’ve ever seen in a movie. This is a fool’s errand, and only fools rush in. On the other hand, I’ve seen Casablanca maybe a dozen times in my life, and I… Read More Casablanca (1943)
Yankee Doodle Dandy (1942)
Dir. Michael Curtiz. Starring James Cagney, Joan Leslie, Walter Huston Perhaps some foolish moron will endeavor to create a little canon of “the most Hollywood movies” of all time. (I hear some of you saying that the AFI lists are such a canon already, and that said moron need not exert much effort on his… Read More Yankee Doodle Dandy (1942)
Better than the Oscars: 5-2
The following is from my series of Oscar Best Picture rankings, as well as my strongly worded suggestions for what should have won from among the nominees. For an introduction to the project, click here. For a way to vote on some Oscar-related ideas, click here. If I’ve written a review on any of the… Read More Better than the Oscars: 5-2
Better than the Oscars: 45-41
The following is from my series of Oscar Best Picture rankings, as well as my strongly worded suggestions for what should have won from among the nominees. For an introduction to the project, click here. For a way to vote on some Oscar-related ideas, click here. If I’ve written a review on any of the… Read More Better than the Oscars: 45-41
Mildred Pierce (1945)
Dir. Michael Curtiz. Starring Joan Crawford, Ann Blyth, Jack Carson I spent most of my life in the kitchen, Mildred (Crawford) tells a policeman in the beginning of the movie. It is bizarre to see Crawford in an apron not merely because she’s Joan Crawford, but because her star image was based primarily on the… Read More Mildred Pierce (1945)
Seeing Things Secondhand 