Last year, my year-end review of the movies I watched still had the sheen of professional list-making on itl: I thought about it as, more or less, the fifty best movies I saw that year which I hadn’t seen before, but allowed for some leeway on that front to talk about the movies which I… Read More 2019 Year-End Review: Forty-Five Moments
The following is from my series of Oscar Best Picture rankings, as well as my strongly worded suggestions for what should have won from among the nominees. For an introduction to the project, click here. For a way to vote on some Oscar-related ideas, click here. If I’ve written a review on any of the… Read More Better than the Oscars: 25-21
The following is from my series of Oscar Best Picture rankings, as well as my strongly worded suggestions for what should have won from among the nominees. For an introduction to the project, click here. For a way to vote on some Oscar-related ideas, click here. If I’ve written a review on any of the… Read More Better than the Oscars: 30-26
The following is from my series of Oscar Best Picture rankings, as well as my strongly worded suggestions for what should have won from among the nominees. For an introduction to the project, click here. For a way to vote on some Oscar-related ideas, click here. If I’ve written a review on any of the… Read More Better than the Oscars: 90-86
Dir. Fred Zinnemann. Starring Gary Cooper, Grace Kelly, Katy Jurado The most famous reviews of High Noon are surely the grenades tossed at it by John Wayne and Howard Hawks; both men criticized the story for how it portrays a marshal who utterly fails to rouse his comrades to serve law and order. Hawks’ smear of how… Read More High Noon (1952)
Dir. Fred Zinnemann. Starring Paul Scofield, Leo McKern, John Hurt Watching A Man for All Seasons forces the viewer to put The Crucible on the brain. Thomas More is the antithesis of John Proctor; where Proctor sees himself already neck-deep in the quicksand of his sin, Thomas More walks on water. Yet both are on trial, both of… Read More A Man for All Seasons (1966)
Seeing Things Secondhand 