Movie Diary 2023 (4/6-5/31): Let’s Just Get Through May to Start
Two sentences per movie. The last time I did a retro movie diary, I had three weeks to catch up on. Now I have…more than that. No sweat!
Two sentences per movie. The last time I did a retro movie diary, I had three weeks to catch up on. Now I have…more than that. No sweat!
The following is from my series of Oscar Best Picture rankings, as well as my strongly worded suggestions for what should have won from among the nominees. For an introduction to the project, click here. For a way to vote on some Oscar-related ideas, click here. If I’ve written a review on any of the… Read More Better than the Oscars: 15-11
The following is from my series of Oscar Best Picture rankings, as well as my strongly worded suggestions for what should have won from among the nominees. For an introduction to the project, click here. For a way to vote on some Oscar-related ideas, click here. If I’ve written a review on any of the… Read More Better than the Oscars: 25-21
The following is from my series of Oscar Best Picture rankings, as well as my strongly worded suggestions for what should have won from among the nominees. For an introduction to the project, click here. For a way to vote on some Oscar-related ideas, click here. If I’ve written a review on any of the… Read More Better than the Oscars: 75-71
Dir. Elia Kazan. Starring Natalie Wood, Warren Beatty, Audrey Christie In The White Ribbon, the kids doing the evil deeds in pre-World War I Germany are given an opening because all four loci of power—business, medicine, education, and religion—fail to maintain their control; they abdicate, depending on one’s point of view, their responsibilities or positions.… Read More Splendor in the Grass (1961)
Dir. Elia Kazan. Starring Andy Griffith, Patricia Neal, Walter Matthau Here’s my Slate pitch about A Face in the Crowd: its best piece is its greatest weakness. By making Larry “Lonesome” Rhodes an Arkansas drifter, the film can call upon the services of Andy Griffith, who is absolutely electrifying. However, by making Lonesome Rhodes a Southerner,… Read More A Face in the Crowd (1957)
Dir. Elia Kazan. Starring Marlon Brando, Eva-Marie Saint, Karl Malden It’s hard to say this about Leonard Bernstein, who was one of the great American musical minds of the last century, but his score for On the Waterfront is occasionally distracting; there are times when one can more easily imagine this music in the background of a… Read More On the Waterfront (1954)
(For an introduction to the project and an index of other entries in the series, click here. For a list of more than 800 films which I considered for the top 450 and my eligibility qualifications, click here. And for a way to vote on what you think the top 100 American narrative fiction feature films are, click here.… Read More Better than AFI’s Top 100: Un Certain Regard
The following is part of an overview of the top 100 American narrative fiction feature films, from my perspective. For an introduction to the project and an index of other entries in the series, click here. For a list of more than 800 films which I considered for the top 450 and my eligibility qualifications, click here.… Read More Better than AFI’s Top 100: 75-71