“Best Director” Madness 2023: Introduction and Bracket Reveal

They do brackets for everything at this time of year. For those of us who live the Way of the Bracket, this deluge of bracketology is reminiscent of April Fools’ Day for those of who live the Way of Lying Indiscriminately. It’s nice to see people trying because it’s precious. Because the Oscars happened a… Read More “Best Director” Madness 2023: Introduction and Bracket Reveal

Everything Everywhere All at Once and the Boutique Indie Posture

After Nomadland won Best Picture, I argued that a cinematic pose which I call “boutique indie” was a natural conclusion to recent approach to Best Picture nominees and winners. The short version is that as studios become more ruthless with their money, they want to provide the thrill of high stakes without having to pay… Read More Everything Everywhere All at Once and the Boutique Indie Posture

My Sight and Sound 2022 Ballot (It’s Not Real, I’m Just Jealous and Want to Participate)

The Sight and Sound poll invites more than a thousand real critics (i.e., not me) to submit their top ten films to be compiled as part of their decennial results. There will be a new Sight and Sound poll this year, which I’ve been indecently excited about for the past three or four years now,… Read More My Sight and Sound 2022 Ballot (It’s Not Real, I’m Just Jealous and Want to Participate)

The Five-Movies Test or: Which Director Has Had the Best Stretch of Consecutive Feature-Length Films in English?

Steven Hyden introduced his five-albums test more than a decade ago as a third way to judge a band, short of its popularity or its critical acclaim. While this one is not meant to stand on its own—for example, he’s not sure that either Bob Dylan nor the Rolling Stones had made five great albums… Read More The Five-Movies Test or: Which Director Has Had the Best Stretch of Consecutive Feature-Length Films in English?